Paul Gauguin

  • The Swineherd, Brittany
  • The Swineherd, Brittany

  • (1888), oil on canvas
  • 29 x 36.5 in. (74 x 93 cm.)
  • Los Angeles County Museum of Art
  • 612 x 479 (100 KB)
  • La Barriere
  • La Barriere

  • [The Gate]
  • (1889), oil on canvas
  • 36.4 x 28.7 in. (92.5 x 73 cm.)
  • Kunsthaus, Zurich
  • 610 x 770 (141 KB)
  • Nativity
  • Nativity

  • (1896), oil on canvas
  • 26 x 29.5 in. (66 x75 cm.)
  • The Hermitage, St. Petersburg
  • 615 x 526 (70 KB)
  • Haere Mai
  • Haere Mai

  • ["Come here!"]
  • (1891), oil on burlap
  • 28.5 x 36 in. (72.4 x 91.5 cm.)
  • Guggenheim Museum
  • 595 x 466 (80 KB)
  • Landscape with Black Pigs
  • Landscape with Black Pigs
    and a Crouching Tahitian

  • (1891), oil on canvas
  • Private collection
  • 550 x 745 (68 KB)
  • Woman in the Hay with Pigs
  • Woman in the Hay with Pigs

  • (1888), oil on canvas
  • 28.7 x 36.2 in. (73 x 92 cm.)
  • Private Collection
  • 590 x 464 (83 KB)
  • The Ham
  • The Ham

  • 19.8 x 22.8 in. (50.3 x 57.9 cm.)
  • The Phillips Collection, Washington, DC
  • 590 x 506 (47 KB)
  • Cochon sauvage, tahitienne, réunion nocturne
  • Cochon sauvage, tahitienne, réunion nocturne

  • from the Noa-Noa notebook
  • (c. 1893-94), black ink and watercolor
  • 9.1 x 12.4 in. (23.2 x 31.5 cm.)
  • Louvre
  • 630 x 789 (73 KB)

Editor’s Note:

Noa-Noa (Tahitian for "fragrance") was Gauguin's journal or notebook of the two years he spent in Tahiti (1893-4). On his return to France, Gauguin began work on a self-published project of the journal text with ten woodcut illustrations. He hoped this would make his Tahitian experience and new art more understandable to his contemporaries.

Although never realized in their intended form, both the text and the ten woodcuts for Noa-Noa survive among Gauguin's known works. More contemporary printings of Noa-Noa that include the woodcuts and original sketches and colored images from the journals pages and borders have been published.