Kennedy, Anne

New Zealand, (b. 1959)

Case 2: Please Man
from Hands On: A Handbook

  1. 2a
  2.  
  3. The first little pig thought he’d build a house. You
  4. mean a fort, said Dad – right you are little man (i.e., little pig).
  5. They got up early. Dad’s trotters clattered
  6.  
  7. on Trade Me. Little Pig jigged in the monitor’s blue glow.
  8. They drove out to where a beautiful pink swamp
  9. met the highway. Dad inhaled deeply, reminds me
  10.  
  11. of the farm mornings of my youth (urea). Some Saturdays
  12. he regretted the Wolf Studies Dept .They met the vendor
  13. and Dad asked him if he was the vendor.
  14. (He was a man.)
  15.  
  16. If I’m the vendor you must be the vendee. Tee hee (this is true).
  17. The greedy car boot soon bristled. The man chewed straw
  18. and said I would’ve given you that gratis if you’d asked.
  19.  
  20. Roaring off – Little Pig postmarked on the back seat –
  21. Dad said, Be careful about men you meet on the internet son.
  22. Dad built a twanging fort in the back yard. Little Pig did
  23.  
  24. Game Piglet. Raping six miss piggies got you a fort.
  25. Around lunch-time a wolf flourished the gate. Ta da.
  26. Leaned his stalactites, his sly expression, on the air
  27.  
  28. in the yard. Dad pumped wolf’s hand (i.e., paw). How can I help?
  29. Hey ho fatpork panfry, said the wolf. Good day to you, too,
  30. said Dad. Hey ho gristlechew cracklefat.
  31.  
  32. Little Pig snouted out the window of the house (fort).
  33. The guy’s a prick, he said In Pig. Ethay uygay’s ahay ickpray.
  34. Mm, said Dad. He trottered his bristly chin. Excuse us a minute.
  35.  
  36. Ducked inside the fort (house). Little Pig,
  37. use your tolerant words. If a pig were a man
  38. and a wolf were a man, we’d have much in common.
  39.  
  40. I take off my hat, in a manner of speaking
  41. or grunting. Go out there and apologise to Mister Wolf.
  42. Little Pig saved his game. It took a while, a bus stop.
  43.  
  44. Just then the fort shook and shook. Look son, said Dad,
  45. an example of huffing and puffing. We’re lucky indeed. Rarely
  46. have I seen such a display of traditional huff and puff behaviour,
  47.  
  48. The wolf huffed and he puffed and he h. and he p.
  49. and he etc. etc.
  50. and he blew the house down (i.e., fort).
  51.  
  52. Dad and Little Pig bucketed inside where Mum had
  53. warm swill waiting in the bath. The wolf slunk off with his tail
  54. between a broom and a boy’s pocket-knifed toetoe.
  55.  
  56. 2b
  57.  
  58. The next Friday Pig 2 said if houses were being handed out
  59. he should have one. Fair enough, said Dad, but four things:
  60. no straw no strange men no games, and it’s a fort.
  61.  
  62. And no more wolves, said Little Pig. Goes without saying,
  63. said Dad, or grunting. Crack of dawn Saturday Dad bought
  64. wood from the cheery individual at the hardware store,
  65.  
  66. came home and woke up Pig 2, or tried to.
  67. I’ll huff and I’ll puff, joked Dad. Seriously, this reminds me
  68. of the woodworking classes of my youth. He knocked up
  69.  
  70. the fort (house) ruminating on how pigs had been
  71. unfairly treated in primary sources such as novels (or poems)
  72. e.g., portrayed as dogmatic farm animals even though
  73.  
  74. they weren’t dogs. Get up Pig 2! I’ll huff and I’ll puff!
  75. Fuck off, said Pig 2. But he lolloped into the fort (house).
  76. Cool, he said, and lay down. His tail opened wine with each snore.
  77.  
  78. Dad hammered on, explaining about secondary sources,
  79. articles and suchlike, which by and large, especially large,
  80. ignored pigs. You could drive a truck through, said Dad,
  81.  
  82. the absence of pigs in critical theory. The field
  83. is wide open, son. Grasp it with both hands (i.e., trotters).
  84. Pig 2 slept on, the fort (house) forming around him until
  85.  
  86. he heard the tell-tale plg-squeak of the gate and a cursory
  87. huff. He opened one eye (we think – hard to see).
  88. Hey ho sweetsour blittymeat. Hey ho flapskillet spittyfat.
  89.  
  90. Dad drag-queened inside the fort (house), high up
  91. and dizzy on his trotters. Pig 2 reared up too,
  92. but like a man. I’ll get him Dad. No son, don’t succumb
  93.  
  94. to stereotyping – that wily hairy toothy eat-your-grandmother
  95. stuff is about as true as pigs being fat greedy lazy victims,
  96. with victim mentalities. Son, we’re all the same,
  97.  
  98. son, student pathologists first draw juice
  99. from an orange, then blood from a pig,
  100. then lastly yes lastly, the bluey blood of a human.
  101.  
  102. What can we learn from that, son? Outside the wolf huffed
  103. and he puffed and he huffed and he puffed and he.
  104. That a man, said Pig 2, is sweet. There was then a maelstrom
  105.  
  106. of huffing and puffing. Dad’s pudgy flesh pulsed
  107. in out, in out, and on Pig 2’s bristles, beads of sweat struggled
  108. determined like little snails getting on with it.
  109.  
  110. Huff puff huff puff huff puff huff puff. Muffellous stuff,
  111. stuttered Dad. He cuffed his Ventolin. The walls shuddered
  112. like lungs. Run for it, son! They trotted for it
  113.  
  114. as wood became like matches and like firewood
  115. and like pick-up sticks and like a French dessert and like
  116. the hands of a thinking person thinking up marvellous
  117.  
  118. ideas. Inside Ma Pig made her famous warm bathtub or swill
  119. with Everything In It, which they liked. Outside the wolf slunk off
  120. thinking himself a clever sculptor. But he isn’t, said Pig 2.
  121.  
  122. 2c
  123.  
  124. The biggest little pig was Big Pig. He said ditto to Dad
  125. re: the house, and Dad said ditto to you too, Big Pig,
  126. but seven things: no straw no strange men no games no wood
  127.  
  128. no sleeping on the job no bad grunting, and it’s a fort.
  129. And no wolves, chorused Little Pig and Pig 2.
  130. Oh we’ve seen the last of Mister Wolf said Dad,
  131.  
  132. if I know anything about wolf behaviour.
  133. Big Pig drove and Dad held his heart and his tongue
  134. out to a doll’s concrete jungle in perpetual sunset, pink,
  135.  
  136. red, terracotta, and on a miniature street corner
  137. a giant spruiker bounced and Dad, who knew what to say, said
  138. Please man, and man’s eyebrows indicated a bundle of bricks.
  139. In the car Big Pig lollygagged. Oh pu-lease man!
  140.  
  141. Back home Big Pig’s rusty trowel flapped like autumn.
  142. Dad slapped on fixer and a red wall grew and in the intervaIs
  143. between slopping Dad started a conversation about
  144.  
  145. the men and the women. I know, said Big Pig, I know all this.
  146. Big Pig had been rutting since puberty, but still he blushed.
  147. This is why pigs are pink. all the sex conversations.
  148.  
  149. To recover Big Pig went for smoko on the side path.
  150. Trottinq back- butt squished under hoof – his little jaw dropped.
  151. Dad was leaning against the bright brick wall puffing a joint
  152.  
  153. with the wolf. Dad made a joke about shitting bricks which
  154. was so funny the wolf huffed and puffed. Big Pig
  155. went inside the house (fort) to think. Dad followed.
  156.  
  157. You have to understand the wolf’s worldview, said Dad.
  158. Was it mentioned that Dad had a PhD from the University
  159. of Warwick, Wolf Stoodies Dept. He stood wolves.
  160.  
  161. Hey ho chopspit fattycake, the wolf giggled. He half-huffed
  162. and half-puffed. Hey ho flatbake bristcrisp. Big Pig called
  163. out the window, Not so hot yourself. Ignore him, said Dad.
  164.  
  165. Hey ho pokepork spattyfat, said the wolf. Big Pig sniggered.
  166. Why I oughta, he said. Hey ho panspat porkyflap, said the wolf,
  167. and he huffed and he puffed. Why I oughta, said Big Pig.
  168.  
  169. Oughta what? said the wolf. Oughta, said Big Pig.
  170. Don’t tease Mister Wolf, said Dad. Hey no meatpat qristletoe.
  171. The wolf was huffing and puffing. Why I oughta, said Big Pig.
  172.  
  173. The wolf paused. Oughta what? Just oughta, said Big Pig.
  174. The wolf scaled the roof. He huffed and he puffed
  175. and he huffed and he stopped. Hey ho snoutmouth appleface.
  176.  
  177. Don’t answer, son, said Dad. I said hey ho snoutface applegob.
  178. Son! said Dad. Why I oughta, said Big Pig. Hey ho
  179. hamsam mustysauce. / Why I oughta. / Hey ho spittypan
  180.  
  181. bacyrind. / Why I oughta. / Son, this is getting out of hand
  182. or trotter. / Hey ho porkfried sweetysour. / Why I oughta. / Hey ho
  183. schnitzelfunken gebriskenmuffin. / Get woughta! yelled Big Pig.
  184.  
  185. Little Pig and Pig 2, in the kitchen with Ma, had
  186. just raped some piqlettes. Pig 2 looked up. We gotta
  187. get woughta. Their games went all to hell.
  188.  
  189. Hey ho chippydust snackbag. / Why I oughta. / Enough!
  190. said Dad. He barrelled outside. Mister Wolf!
  191. Dad clonked up on the roof. Ignore my rude son,
  192.  
  193. continue with your huffing and puffing ceremony.
  194. Hey ho pukubun spicychops. / Why I oughta. / Hey ho
  195. poakasmoke hangipani. / Got the woughta? shouted Big Pig.
  196.  
  197. Little Pig and Pig 2 had got the woughta. BoiI it,
  198. said Big Pig. On the roof, Dad’s trotters dinged the rivets.
  199. Mister Wolf, my apologies, take no notice.
  200.  
  201. Hey ho kunekune puhaface. / Why I oughta. / Mister Wolf! /
  202. Hey ho pokopoko piggyfritter. / Why I oughta. / Mister Wolf!
  203. Dad fell down the chimney, plosh into the water.
  204.  
  205. Hey ho. / Oughta. / Hey ho. / Woughta. Everything
  206. went silent. Good job Little Pig and Pig 2 didn’t know
  207. how to do anything including build a fire.

© Anne Kennedy. The Darling North. Auckland, NZ: Auckland University Press (2012).

About the Poet:

Anne Kennedy, New Zealand, (b. 1959) is a poet, novelist, and freelance film writer. Kennedy initially worked was as a piano teacher and music librarian after graduating with a Bachelor of Music in Composition from Victoria University of Wellington.

For many years Kennedy worked in the film industry as a screenwriter and script consultant. Her screen credits include Crush, with director Alison Maclean and The Monkey’s Mask, directed by Samantha Lang, an adaptation of the verse novel by Dorothy Porter.

Kennedy has taught creative writing since 2000. She first taught at the University of Hawaii at Mānoa, then at Massey University at Albany, then at Manukau Institute of Technology in South Auckland.

Anne Kennedy is the author of three novels, a novella, three books of poetry, and many anthologized short stories. She has co-edited, with Robert Sullivan, Ika, the literary and arts journal of Manukau Institute of Technology. She is a past editor of online journalTrout and has guest edited the Best New Zealand Poems series. [DES-03/18]

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