Couch, Leigh Anne

United States, (b. 1968)

Wild Pigs

  1. Mr. Mullaney, I am a guest here
  2. and cannot give you permission to kill
  3. the pigs that upturn the yard every night
  4. like puppies burying toys under the rug.
  5. Whether it is with rifles or dogs,
  6. in the daytime or night, this is not my place
  7. to say yes, which I suppose is no.
  8. You impressed me with your picture shot
  9. by remote from a tree-mounted camera.
  10. That is a big boar alright. And I sugared you
  11. with questions about the meat, the spices thrown into
  12. the Crock-Pot, which makes anything tender:
  13. a nod to your broken mouth, a tarred
  14. jumble, could be tobacco, could be worse.
  15. But I cannot speak for the owner who lives in Atlanta.
  16. I might have been frightened:
  17. the screen door between us, hook and eye
  18. at the top, hook and eye down below;
  19. you in formal camo, a three-piece suit,
  20. to my gown and bare feet. You looked away
  21. when you said, I got permission from all
  22. the neighbors out to Dixon’s farm, so don’t
  23. you worry if you hear the dogs tonight
  24. or my truck—you and the gun were implied.
  25. Something must have passed then from me
  26. to you through the screen door, hook and eye,
  27. hook and eye: That sort of thing doesn’t happen
  28. much around here, you said. What sort
  29. of thing, Mr. Mullaney? And when it does
  30. happen, what do you know about it?
  31. Mr. Mullaney, what have you done?

© Leigh Anne Couch. Blackbird Spring 2019, Vol. 18, No. 1. Virginia Commonwealth University, Department of English – https://blackbird.vcu.edu/.

About the Poet:

Leigh Anne Couch, United States, (b. 1968), is a poet and editor. She is the author of a collection of poetry, Houses Fly Away (2007), and a chapbook, Green and Helpless (2007).

Her work has appeared in The Cincinnati Review, Cutthroat, PANK, Pleiades, Salmagundi, and Western Humanities Review, among others.

She is a freelance editor, having previously edited for both Duke University Press and The Sewanee Review. [DES-01/22]

Additional information:

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