Hill, Selima

England, (b. 1945)

Please Can I Have a Man

  1. Please can I have a man who wears corduroy.
  2. Please can I have a man
  3. who knows the names of 100 different roses;
  4. who doesn’t mind my absent-minded rabbits
  5. wandering in and out
  6. as if they own the place,
  7. who makes me creamy curries from fresh lemon-grass,
  8.  
  9. who walks like Belmondo in A Bout de Souffle;
  10. who sticks all my carefully-selected postcards –
  11. sent from exotic cities
  12. he doesn’t expect to come with me to,
  13. but would if I asked, which I will do –
  14. with nobody else’s, up on his bedroom wall,
  15. starting with Ivy, the Famous Diving Pig,
  16.  
  17. whose picture, in action, I bought ten copies of;
  18. who talks like Belmondo too, with lips as smooth
  19. and tightly-packed as chocolate-coated
  20. (melting chocolate) peony buds;
  21. who knows that piling himself stubbornly on top of me
  22. like a duvet stuffed with library books and shopping-bags
  23. is all too easy: please can I have a man
  24.  
  25. who is not prepared to do that.
  26. Who is not prepared to say I’m ‘pretty’ either.
  27. Who, when I come trotting in from the bathroom
  28. like a squealing freshly-scrubbed piglet
  29. that likes nothing better than a binge
  30. of being affectionate and undisciplined and uncomplicated,
  31. opens his arms like a trough for me to dive into.

© Selima Hill. Violet. Newcastle upon Tyne: Bloodaxe Books (1997).

Brueghel’s Helicopter

  1. The trees are white,
  2. the hunters have gone home,
  3. and even the skaters on the distant ponds
  4. have fallen silent in the swirling snow.
  5. The little pig has trotted back inside
  6. and settled sweetly in my arms again;
  7. and as it sleeps, its chin against my chest,
  8. the bewildering adventures of the morning
  9. come rushing back in all their vividness—
  10. the way the mules flickered in the moonlight;
  11. the glimmer of the cockpit in the rocks;
  12. and finally the shock of seeing the pilot,
  13. his chin against the window like white meat.
  14. As dusk, then darkness, fall, and rumours spread,
  15. people start to gather at the inn.
  16. I hear the muffled crunch of their boots,
  17. and then the stamps, as they approach the porch.
  18. The men look cold,
  19. their skinny dogs fed-up.
  20. The only comfort I can offer’s tea,
  21. brewed by burning tables and dried flowers.
  22. The piglet in my arms is fast asleep;
  23. and one by one, as dawn breaks with no news,
  24. each man returns for solace to his dreams:
  25. I watch the snow, and dream of San Diego,
  26. sizzling in the sun, and full of schnapps.

© Selima Hill. Trembling Hearts in the Bodies of Dogs. Newcastle upon Tyne: Bloodaxe Books (1994).

The Postman Like a Bunch of Flowers

  1. The women on the quay call him Crocodile
  2. and shower him with stones and bits of glass.
  3. They ought to call him something nice like Flowers.
  4. He doesn’t even eat the local fish.
  5. Far less meat. Far less other people.
  6. He’s much too busy caring for the fruit
  7. whose strange imported colours block the highway—
  8. their wild reds, their toxic-looking purples,
  9. their pinks and blues, like little tensed-up babies
  10. he dreams at night of taking in his arms
  11. and rocking in a light but steady rhythm
  12. until they fall, or drift, into a trance,
  13. like furless pigs that loll about in barns
  14. with eyelashes so white they are excused
  15. any kind of action except sleep.

© Selima Hill. Trembling Hearts in the Bodies of Dogs. Newcastle upon Tyne: Bloodaxe Books (1994).

About the Poet:

Selima Hill, (b. 1945) is a British poet, born in Hampstead into a family of painters and writers. She read Moral Sciences at Cambridge University, married a painter, and had a family, before publishing her first collection in 1983.

Selima lives by the sea in Dorset where she divides her time working on a ninth collection, Suitcase; editing an anthology of dog poems; teaching for the Poetry School and the Poetry Library in London; working on the libretto for a multi-media project about bees; and chasing after her chickens and small grandchildren.

Awards include Cholmondeley Award for Literature, Whitbread Poetry Award, University of East Anglia Writing Fellowship.

Collections include Trembling Hearts in the Bodies of Dogs, Violet, Bunny and Portrait of My Lover as a Horse. [DES-08/19]

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